The Human Factor - Title Sequence by SAUL BASS

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Based on the book by Graham Greene, directed by Otto Preminger, starring Nicol Williamson, Richard Attenborough, Derek Jacobi. The film is absoloutley abysmal - but Bass did quite a nice title sequence..

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  • Watch The Human Factor - Title Sequence by SAUL BASS Video
    The Human Factor - Title Sequence by SAUL BASS

    Based on the book by Graham Greene, directed by Otto Preminger, starring Nicol Williamson, Richard Attenborough, Derek Jacobi. The film is absoloutley abysmal - but Bass did quite a nice title sequence.

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    Saul Bass title sequence - Edge of the City 1957)

    Title sequence designed by Saul Bass, from the film 'Edge of the City' 1957), directed by Martin Ritt, starring John Cassavetes, Sidney Poitier, Jack Warden.

    Buy the book 'Saul Bass: A Life in Film & Design' by Jennifer Bass and Pat Kirkham.

    CARMEN JONES (1954) - 'Titles designed by Saul Bass'

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  • Watch Saul Bass Google Doodle [HD] Video
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    Saul Bass Google Doodle - Google honors the American graphic designer and filmmaker Saul Bass for his 93rd birthday with a nice Google Doodle.

    Saul Bass ( May 8,1920 - April,25 1996 ) - He is best known for his design of motion picture sequences. Bass designed a number of corporate logos including the AT&T 'bell' and the United Airlines 'tulip' logo. Saul Bass created title sequences and film posters including Alfred Hitchcock's 'Vertigo' and Otto Preminger's 'Anatomy of a Murder'.

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  • Watch Google Doodle Celebrate Saul Bass 93rd Birthday Video
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  • Watch Animated Google Doodle celebrates iconic graphic designer Saul Bass
    Animated Google Doodle celebrates iconic graphic designer Saul Bass's film titles on 93rd birthday

    Bass became famous for his motion picture film posters, credit sequences and corporate logos.

    Google on Wednesday celebrated the 93rd birthday of American graphic designer and filmmaker Saul Bass with one of its most elaborate Google Doodles till date.

    The 1 minute 20 seconds doodle animates Google's logo in different styles, playing on the designer's best-known designs for film credits, film posters and corporate logos.

    The video plays to the tunes of Unsquare Dance, a musical piece written by the American jazz composer Dave Brubeck.
    Born on May 8, 1920, into an immigrant family in New York's Bronx, Bass started his career by working in print for film adverts in Hollywood during the 1940s.

    A breakthrough came in the film industry when he was hired by Otto Preminger in 1954 to create an innovative title sequence for the credits of the film, Carmen Jones, which he did using an animated flaming rose.
    He made a mark for himself in Hollywood after creating the title sequence for Otto Preminger's The Man with the Golden Arm in 1955. Bass pioneered the concept of animated sequence for credit rolls in films.

    Until the 1950s, the usual method for film credits was to present names and titles on cards, or against an unmoving backdrop.

    During his prolific career spanning five decades, Bass had worked with directors such as Alfred Hitchcock, Stanley Kubrick, Martin

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  • Watch AT&T Archives: Saul Bass Pitch Video for Bell System Logo Redesign Video
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    Saul Bass' work in logo design and movie title credit sequences spanned the latter half of the 20th century, with prominent work in each field. He worked closely with AT&T, designing not only the 1970 'bell' logo that was ubiquitous for a decade, but also the globe logo unveiled in 1983.

    One reason for this bell logo's ubiquity? The redesign was the largest corporate re-identity program in the U.S., ever. The redesign covered:

    135,000 Bell System vehicles
    22,000 buildings
    1,250,000 phone booths
    170,000,000 telephone directories
    This film was made by Bass' company as a presentation to AT&T executives. It would have extended to be shown to the public, but a number of his ideas in the film were not ultimately adopted, like his phone booth designs, and men's and women's uniforms. But a great many of the design were adopted—including, most memorably, the telephone vans and hardhat designs of the 1970s. Bass designed down to the details, showcasing in this film a myriad of ideas, like Yellow Pages book designs, cufflinks for executives, and flags.

    Bass' other very recognizable logo designs that persist today include those for Minolta, Girl Scouts of America, Avery International, Geffen Records, Warner Int'l, and many more. And Bass' later, 1983 design for AT&T (the striped/encircled globe) was the foundation for the logo that the company has today,

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  • Watch Saul Bass Doodle with Unsquare Dance Video
    Saul Bass Doodle with Unsquare Dance

    Google celebrates 93rd birthday of Saul Bass with animated video doodle. This doodles shows the some of the best works of Saul Bass. This doodle also features Unsquare Dance musical piece written by the American jazz composer Dave Brubeck in 1961.

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  • Watch Saul Bass - Typographic Animation Video
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    This is a typographic animation I did for a uni project, inspired by the work of Saul Bass. All objects are paper cut and then composited in After Effects.

    Music: Sonny Rollins - Blue 7

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  • Watch Google Doodle celebrates work of graphic designer Saul Bass with video tribute Video
    Google Doodle celebrates work of graphic designer Saul Bass with video tribute

    Honour for the man behind some of Hollywood's most famous opening sequences on what would have been his 93rd birthday.

    American graphic designer and filmmaker, Saul Bass, has been given a video Google Doodle to mark what would have been his 93rd birthday.

    Bass was best known for his cinema title sequences and movie posters, working with such directors as Alfred Hitchcock, Stanley Kubrick and Martin Scorsese. The video showcases some of his best work from a prolific Hollywood career which spanned five decades.

    He designed the title sequences for Hitchcock's Vertigo (1958), North by Northwest (1959) and Psycho (1960), and his work also included Spartacus (1960), West Side Story (1961), The Shining (1980), Goodfellas (1990), Cape Fear (1991) and Casino (1995).

    He died in Los Angeles in 1996 aged 75.

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