Team Indus is India’s only entry for the $30 million Google Lunar XPRIZE, an unprecedented competition to challenge and inspire entrepreneurs from around the world to develop low-cost technology for space exploration. To win, a privately funded team must land a robotic spacecraft on the moon, navigate 500 meters over its surface, and send back high-definition images, before 31st December 2016. The Film captures the challenges of the Indian mission while telling the story of a new generation that has the courage and gumption to compete with the best and brightest of the world.
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Team Indus is India’s only entry for the $30 million Google Lunar XPRIZE, an unprecedented competition to challenge and inspire entrepreneurs from around the world to develop low-cost technology for space exploration. To win, a privately funded team must land a robotic spacecraft on the moon, navigate 500 meters over its surface, and send back high-definition images, before 31st December 2016. The Film captures the challenges of the Indian mission while telling the story of a new generation that has the courage and gumption to compete with the best and brightest of the world.
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Team Indus is India’s only entry for the $30 million Google Lunar XPRIZE, an unprecedented competition to challenge and inspire entrepreneurs from around the world to develop low-cost technology for space exploration. To win, a privately funded team must land a robotic spacecraft on the moon, navigate 500 meters over its surface, and send back high-definition images, before 31st December 2016. The Film captures the challenges of the Indian mission while telling the story of a new generation that has the courage and gumption to compete with the best and brightest of the world.
Watch Moonstruck With HD Quality
Vlogs video | 1193 views
Team Indus is India’s only entry for the $30 million Google Lunar XPRIZE, an unprecedented competition to challenge and inspire entrepreneurs from around the world to develop low-cost technology for space exploration. To win, a privately funded team must land a robotic spacecraft on the moon, navigate 500 meters over its surface, and send back high-definition images, before 31st December 2016. The Film captures the challenges of the Indian mission while telling the story of a new generation that has the courage and gumption to compete with the best and brightest of the world.
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Ornament is an important constituent of the material culture of any society. In India, the early depiction of jewellery is seen from the pre-Indus times and it transcends its decorative aspect to play a key role in the socio-cultural and religious life of all its diverse communities.
Indian jewellery designs and styles, both classic and contemporary, have a prominent place in the international market and are worn by international celebrities and royalty. Today, India is one of the largest consumers of gold in the world and one of the biggest international sourcing destinations for high-quality designer jewellery. It uses highly skilled, yet low-cost labour with a rich traditional heritage of craftsmanship .The industry has some of the most technologically advanced diamond processing centres in the world and accounts for nearly 90% of the global diamond business. Business friendly policies and a state of the art production and export infrastructure including Special Economic Zones have enabled India to become one of the world’s fastest –growing gems and jewellery markets. Today, India is supplying to the top end international retailers like, Signet Corporation, Wal-Mart Corporation, Zell Corporation, Foschini& Bevels.
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‘Electric Shadow’ is the literal translation of the Mandarin term ‘Diàn-yïng’, which means ‘movies’. Centred on a festival of Indian documentary films in China, the film reflects on the dominant impressions of cultures as brought to us by the cinema. It
examines the idea of the cinematic image as an integral part of cultural propagation. West Heavens Project, an organisation engaged in cross-cultural exchange, organised a festival of Indian documentary films in China in 2011 where many Indian filmmakers, academics and visual-artists participated. A few years later, the
filmmaker revisits China and reflects on the places, landscapes and histories that come to us mediated through the cinematic image. Pondering on image-creation as an integral part of cultural propagation, he revisits the films at the festival and explores the mainstream impressions that they have left on both cultures.
Avijit Mukul Kishore is an acclaimed cinematographer and film maker based in Mumbai. An alumnus of FTII, Pune, he has worked in the Indian TV industry and has gone on to direct critically acclaimed documentaries which have been shown in
many festivals around the world.
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A documentary on the films of Shyam Benegal, that explores the time, ethos and concerns of the New Cinema Movement in India through his oeuvre. A pioneer in the New Cinema Movement, within the Hindi film industry, Benegal’s career spans four decades of consistent work. The film is a foray into the mind of this great filmmaker and an attempt to understand his motivations and impulses for making cinema.
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Stopover explores the narratives and stories of four Indian immigrants who live and work in Dubai. Through their personal journeys and everyday lives - a construction labourer, a CEO of a well-reputed company, an airhostess and a waiter - it examines their aspirations and ambitions, and how in trying to fulfill them, they contribute to the mega-ambitious of the city of Dubai and sustain it in their own ways. Their primary reason to migrate may have been the same – the hope of a better future, but each of them has a distinct and unique life experience to share.
Collin is an alumnus of the Film and Television Institute of India. His diploma film, Shyam Raat Seher, won two National Film Awards. His short film – Mumbaikar Ganesh – was adjudged the Best Film at the Mumbai Film Festival, the Best Short Film in Melbourne and was screened at the Indian Film Festival of Los Angeles. He has assisted filmmakers Reema Kagti, Om Prakash Mehra and Raj Kumar Hirani, amongst others. This is his documentary.
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Ocean of Melody is a two-part documentary that delves into the key aspects that construct the framework of Indian classical music vis a vis its two forms: Hindustani and Carnatic. The Film explores the fluidity that these forms of music allow within a well-defined structure – one that is derived intrinsically from constant improvisations by the performer. Introducing the practical aspects of music like the swara and how their interplay over time created structures and formats in the form of Ragas, the narrative goes on to elaborate on the various presentation forms or GayanShailis, examine the relationship shared by the master and the disciple in the backdrop of what is known as the age old guru shishyaparampara or baniand also understand the emotions associated with music as an art form - a certain luminosity and peace, stillness, beauty and reverence. The essence behind the elevation to a spiritual realm that exponents often find themselves in after years of practice and penance- a tenet that keeps the form pure and timeless is also explored.
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From women Scholars and thinkers of the past like Maitreyi, Gargi, Sanghamita to modern day achievers, the film explores the indomitable spirit of Indian woman through stories of five exemplary women - a locomotive driver, a scientist working on a missile project, a sarpanch (village head), a tribal art exponent and a rags-to-riches CEO. Renowned actor Tom Alter as the narrator and anchor of the film introduces us to these women whose grit, determination and achievements can be a source of inspiration for all.
Made under the theme of ‘Stree Shakti’ the film is directed by Rakhi Thakur, an accomplished film-maker with a 22 years experience in the film-making and a deep interest in human condition and socio-political causes that influence our world today.
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Ocean of Melody is a two-part documentary that delves into the key aspects that construct the framework of Indian classical music vis a vis its two forms: Hindustani and Carnatic. The Film explores the fluidity that these forms of music allow within a well-defined structure – one that is derived intrinsically from constant improvisations by the performer. Introducing the practical aspects of music like the swara and how their interplay over time created structures and formats in the form of Ragas, the narrative goes on to elaborate on the various presentation forms or GayanShailis, examine the relationship shared by the master and the disciple in the backdrop of what is known as the age old guru shishyaparampara or baniand also understand the emotions associated with music as an art form - a certain luminosity and peace, stillness, beauty and reverence. The essence behind the elevation to a spiritual realm that exponents often find themselves in after years of practice and penance- a tenet that keeps the form pure and timeless is also explored.
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ਕਰਵਾ ਚੌਥ ਤੋਂ 1 ਦਿਨ ਪਹਿਲਾਂ ਹੀ ਪਟਿਆਲਾ ਦੇ ਬਾਜ਼ਾਰਾ 'ਚ ਸੁਹਾਗਣਾ ਦੇ ਹੱਥਾਂ 'ਤੇ ਮਹਿੰਦੀ ਲਗਾਉਣ ਦੀਆਂ ਲੱਗੀਆਂ ਰੌਣਕਾਂ
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ਕਰਵਾ ਚੌਥ ਤੋਂ 1 ਦਿਨ ਪਹਿਲਾਂ ਪਟਿਆਲਾ ਦੇ ਬਾਜ਼ਾਰਾ 'ਚ ਸੁਹਾਗਣਾ ਦੇ ਹੱਥਾਂ 'ਤੇ ਮਹਿੰਦੀ ਲਗਾਉਣ ਦੀਆਂ ਲੱਗੀਆਂ ਰੌਣਕਾਂ
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ਅਬੋਹਰ 'ਚ ਬੱਚੇ ਨੂੰ ਕੋਬਰਾ ਨੇ ਡੰਗਿਆ, ਪਰਿਵਾਰ ਬੱਚਾ ਤੇ ਸੱਪ ਨੂੰ ਲੈ ਕੇ ਪਹੁੰਚੇ ਹਸਪਤਾਲ
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Canada, America ਤੇ U.K ਨੂੰ ਛੱਡ Germany ਕਿਉਂ ਜਾਣ ਲੱਗੇ ਲੋਕ! ਜਾਣੋ ਪੂਰੀ ਕਹਾਣੀ
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ਕਰਵਾ ਚੌਥ ਵਾਲੇ ਦਿਨ ਕਿਹੜੀਆਂ ਗੱਲਾਂ ਦਾ ਰੱਖਿਆ ਜਾਵੇ ਖਾਸ ਧਿਆਨ, ਕਿਉਂ ਕਥਾ ਸੁਣਨੀ ਹੈ ਜਰੂਰੀ, ਜਾਣੋ
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ਅਬੋਹਰ 'ਚ ਅਜੀਬੋ-ਗਰੀਬ ਚੋਰੀ ਦਾ ਮਾਮਲਾ ਸਾਹਮਣੇ ਆਇਆ, 2 ਚੋਰਾਂ ਨੂੰ ਲੋਕਾਂ ਨੇ ਫੜ ਕੀਤਾ ਪੁਲਿਸ ਹਵਾਲੇ
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ਸਾਬਕਾ ਯੂਥ ਕਾਂਗਰਸ ਪ੍ਰਧਾਨ Angad Dutta ਖਿਲਾਫ ਸਿਆਸੀ ਦੁਰਵਿਵਹਾਰ ਦੇ ਦੋਸ਼ਾਂ ਦਰਮਿਆਨ CBI ਜਾਂਚ ਦੇ ਹੁਕਮ
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